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1. Lee Krasner (1908–1984)

Lee Krasner was a central figure in Abstract Expressionism, known for her disciplined approach to painting and her persistence within a male-dominated art world. Trained in both classical and modern traditions, she brought a strong sense of structure to her work.

Krasner’s style evolved over time. Her early paintings show Cubist influences, while her later works, particularly after the death of Jackson Pollock, became larger, more gestural, and emotionally expansive. She was also known for cutting up earlier paintings and reworking them into new compositions.

Notable works include The Seasons (1957) and Polar Stampede (1960).

Krasner’s significance lies not only in her own work, but in her influence within the New York art scene. She helped shape the development of Abstract Expressionism and played a key role in supporting and preserving Pollock’s legacy.

Today, she is recognised as a major artist in her own right, representing both artistic innovation and resilience.


2. Georgia O’Keeffe (1887–1986)

Georgia O’Keeffe is one of the most recognisable figures in modern American art. Her work is known for its clarity, simplicity, and focus on natural forms, particularly flowers and landscapes.

O’Keeffe developed a highly personal style, often enlarging her subjects to the point where they became abstracted. Her paintings of flowers, such as Jimson Weed (1936), are among her most famous works, while her later landscapes of New Mexico reflect a deep connection to place.

She was associated with American modernism, though her work stands apart for its distinctive voice and focus.

O’Keeffe’s contribution lies in her ability to create a visual language that feels both intimate and monumental. She challenged expectations of subject matter and scale, and her work helped establish a uniquely American approach to modern art.


3. Sonia Delaunay (1885–1979)

Sonia Delaunay was a pioneer of abstract art, working across painting, textiles, fashion, and design. Alongside her husband Robert Delaunay, she developed a style known as Orphism, which explored colour and movement.

Her work is characterised by bold, rhythmic patterns and a strong sense of harmony. Rather than separating fine art from everyday life, Delaunay applied her ideas to clothing, interiors, and stage design.

Notable works include Electric Prisms (1914).

Delaunay’s contribution lies in her belief that art should be part of daily experience. She expanded the boundaries of modern art, demonstrating that abstraction could exist beyond the canvas and into the wider world.


4. Natalia Goncharova (1881–1962)

Natalia Goncharova was a leading figure in the Russian avant-garde, known for her bold experimentation and willingness to challenge artistic conventions.

Her work combined influences from Russian folk art, religious iconography, and modern movements such as Cubism and Futurism. This resulted in a distinctive style that felt both traditional and forward-looking.

One of her notable works is The Cyclist (1913).

Goncharova was also active in theatre design, creating costumes and sets for ballet productions.

Her significance lies in her ability to bridge cultural traditions with modern ideas, contributing to the development of early twentieth-century avant-garde art.


5. Hannah Höch (1889–1978)

Hannah Höch was a key figure in the Dada movement, best known for her pioneering use of photomontage.

She created works by cutting and assembling images from magazines and newspapers, forming compositions that commented on politics, gender, and modern society.

Her most famous work, Cut with the Kitchen Knife (1919), reflects the fragmented and chaotic nature of post-war Germany.

Höch’s work often addressed the role of women in society, making her one of the earliest artists to explore feminist themes in modern art.

Her contribution lies in both her technique and her perspective. She expanded the possibilities of collage and used art as a tool for social commentary.


6. Gabriele Münter (1877–1962)

Gabriele Münter was associated with the Expressionist group Der Blaue Reiter, alongside artists such as Wassily Kandinsky.

Her work is known for its clarity of form, bold use of colour, and simplified compositions. She painted landscapes, interiors, and portraits with a directness that gives her work a lasting appeal.

Notable works include Jawlensky and Werefkin (1909).

Münter also played an important role in preserving the works of the Blue Rider group during turbulent periods in European history.

Her contribution lies in her distinctive visual style and her role within one of the key movements of early modern art.


7. Paula Modersohn-Becker (1876–1907)

Paula Modersohn-Becker was an early modernist whose work anticipated later developments in Expressionism.

She is known for her direct and often unconventional portraits, including a number of self-portraits that challenged traditional representations of women.

One of her notable works is Self-Portrait on Her Sixth Wedding Anniversary (1906), considered one of the first nude self-portraits by a female artist.

Her style is characterised by simplified forms and a focus on emotional presence rather than detail.

Although her career was cut short, her work has been recognised for its originality and influence.


8. Tamara de Lempicka (1898–1980)

Tamara de Lempicka became one of the defining artists of the Art Deco movement, known for her sleek, stylised portraits.

Her work combines precise technique with a sense of modern glamour. Figures are often depicted with smooth, sculptural forms and strong lines.

One of her most famous works is Self-Portrait (Tamara in a Green Bugatti) (1929).

Lempicka’s contribution lies in her ability to capture the spirit of the modern age—its confidence, elegance, and shifting social roles.

Her work remains closely associated with the visual identity of the 1920s and 1930s.


9. Käthe Kollwitz (1867–1945)

Käthe Kollwitz was a powerful artist whose work focused on themes of poverty, war, and loss.

Working primarily in printmaking and drawing, she created images that are both direct and emotionally compelling.

Notable works include The Weavers series and The Grieving Parents sculpture.

Kollwitz’s art was shaped by personal experience, including the loss of her son in World War I.

Her contribution lies in her ability to give voice to suffering and to represent the experiences of ordinary people with dignity and empathy.


10. Suzanne Valadon (1865–1938)

Suzanne Valadon began her career as a model for artists such as Renoir and Degas before becoming a painter in her own right.

Her work is known for its strong lines and honest depiction of the human figure, often challenging traditional representations of women.

One of her notable works is The Blue Room (1923).

Valadon painted from her own perspective, presenting her subjects with a sense of independence and realism.

Her contribution lies in her transition from model to artist and in her refusal to conform to conventional expectations, making her an important figure in the development of modern art.

Penny Fields-Schneider is the author of The Woman Who Painted the Seasons, a novel exploring the life and work of Lee Krasner and the wider world of early twentieth-century art. She has also written the much loved four book Portraits in Blue series, which brings together art, history, and story.

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The work of Lee Krasner is often grouped under Abstract Expressionism, yet her approach to painting was both distinctive and deeply considered.

Krasner did not see a painting as something completed in a single moment. Instead, she approached it as an evolving process, one that could be revisited, questioned, and reshaped over time. It was not uncommon for her to return to earlier works, cutting them apart and reassembling them into new compositions. What might appear, at first glance, as spontaneity was often the result of careful reconsideration.

Her early training had been rigorous. She studied drawing, composition, and modern European movements, including Cubism, and this grounding remained visible throughout her work. Even in her more abstract paintings, there is an underlying sense of structure, a feeling that the image has been built rather than simply expressed.

In the 1940s, Krasner developed what are now known as her “Little Image” paintings. These works are composed of small, repeated marks, layered across the canvas in a way that feels almost rhythmic. There is a sense of control here, but also of quiet intensity, as though the painting is being constructed piece by piece.

After the death of Jackson Pollock, her work shifted again. The scale increased, and the gestures became broader, more expansive. These later paintings carry a different emotional weight, yet they still reflect her ongoing concern with balance and resolution.

What remains consistent across all periods is Krasner’s commitment to the idea that a painting must be worked through. She did not rely on a single burst of energy, but instead allowed her work to develop gradually, often through revision and reconstruction.

For the viewer, this creates a different kind of experience. Krasner’s paintings invite us not only to look, but to consider how the image has been formed—how each decision contributes to the whole.

For a deeper, story-driven exploration of Krasner’s artistic life and process, you may enjoy The Woman Who Painted the SeasonsSEE HERE for links to e-book, paperback, hardcover and audio 

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The relationship between Lee Krasner and Jackson Pollock was both personal and artistic, and it is difficult to separate one from the other.

Krasner brought to the relationship a strong understanding of modern art. She had studied European movements, was connected within the New York art community, and recognised the direction in which painting was moving.

Pollock, at that time, was still developing his style. Krasner encouraged him, introduced him to key figures, and supported his work both practically and intellectually.

She believed in his potential, even when he struggled with confidence.

At the same time, Krasner continued her own work, often under conditions that required compromise. The balance between her role as an artist and her role within the relationship was not always equal.

Understanding this dynamic allows us to see Pollock’s rise in a broader context, one that includes Krasner not just as a supporter, but as an artist whose presence shaped the environment in which his work developed.

This complex relationship is explored in greater depth in The Woman Who Painted the SeasonsSEE HERE for Links to ebook, paperback, hardcover and audiobook

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When I began researching and writing The Woman Who Painted the Seasons, my historical novel inspired by the life of Lee Krasner, I discovered that many readers knew the name Jackson Pollock — but far fewer understood Lee Krasner’s powerful role in twentieth-century modern art.

Lee Krasner was not simply “Jackson Pollock’s wife.” Lee Krasner was a leading figure in Abstract Expressionism, a founding member of the New York School, and one of the most important women in American art history.

Here are ten key facts about Lee Krasner.


1. Lee Krasner was born in Brooklyn in 1908.

Born Lena Krassner to Russian-Jewish immigrant parents, Lee Krasner grew up in Brooklyn, New York. She later modified her name as she established herself in the professional art world of New York City.


2. Lee Krasner received rigorous academic training.

Lee Krasner studied at Cooper Union and later at the National Academy of Design. At a time when women often struggled for access to serious art education, Lee Krasner developed strong draftsmanship and classical technique before turning toward modernism and abstraction.


3. Lee Krasner helped pioneer Abstract Expressionism.

Before Abstract Expressionism was recognised as a movement, Lee Krasner was already experimenting with abstraction in New York. As part of the New York School, Lee Krasner helped shift the centre of the art world from Paris to New York after World War II.


4. Lee Krasner studied under Hans Hofmann.

Training with Hans Hofmann deeply influenced Lee Krasner’s understanding of colour theory and spatial tension. Hofmann’s “push-pull” theory became foundational in her development as an abstract painter.


5. Lee Krasner married Jackson Pollock in 1945.

In 1945, Lee Krasner married Jackson Pollock and moved to Springs, Long Island. While Pollock became internationally famous for his drip paintings, Lee Krasner continued to build her own body of work in the same artistic environment.


6. Lee Krasner played a crucial role in Jackson Pollock’s career.

Lee Krasner introduced Jackson Pollock to important critics and collectors and helped organise exhibitions that advanced his reputation within Abstract Expressionism. Art historians widely acknowledge Lee Krasner’s strategic influence during Pollock’s rise to fame.


7. Lee Krasner continually reinvented her artistic style.

One hallmark of Lee Krasner’s career is reinvention. From the tightly structured “Little Image” paintings to later large-scale gestural canvases, Lee Krasner refused to settle into one recognisable formula. Innovation was central to her identity as an Abstract Expressionist artist.


8. Lee Krasner destroyed paintings she considered unsuccessful.

Lee Krasner was fiercely self-critical. She frequently cut up earlier canvases or painted over them if they failed to meet her standards. Some of her later masterpieces were constructed from fragments of rejected works — reflecting resilience and creative transformation.


9. After Pollock’s death, Lee Krasner managed his estate.

Following Jackson Pollock’s death in 1956, Lee Krasner became executor of his estate. Her careful management helped secure Pollock’s international legacy while she continued to pursue recognition for her own Abstract Expressionist paintings.


10. Lee Krasner is now recognised as a major modern artist in her own right.

In 1984, the Museum of Modern Art mounted a major retrospective of Lee Krasner’s work — a landmark moment for a woman associated with Abstract Expressionism. Today, Lee Krasner is firmly established as a foundational figure in American modern art.


Why Lee Krasner Matters Today

For readers searching for information about Lee Krasner and Jackson Pollock, Lee Krasner paintings, or women in Abstract Expressionism, her story is one of determination, artistic courage, and lifelong reinvention.

If you would like to explore Lee Krasner’s life more deeply — including her marriage, her struggles for recognition in a male-dominated art world, and her enduring contribution to Abstract Expressionism — you may enjoy my historical novel , inspired by the true story of Lee Krasner.

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I am not sure of any one book that gave me a sense of adventure, but many of the stories of  women travelling to exotic locations such as ‘Under the Tuscan Sun’ by Frances Mayes have, no doubt, given me a fearlessness for the idea of travelling alone as well as an attraction to the Mediterranean. In 2010 I travelled to Spain for a month, solo, and loved every minute of it. Camera in hand, I walked tens of thousands of steps, took thousands of photos; audioguides in situ I wandered the halls of wonderful art galleries and I hopped on and off buses across Barcelona, Sans Sebastian, Bilbao, Madrid, Toledo and Malaga. I loved it …. every single minute of it, and would go back tomorrow if I could!
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Occasionally, a book arrives in our lives and has an extraordinary impact. For me one book was ‘The Diary of Anne Frank’ which I stumbled upon as a twelve year old. It was a great story – an exciting drama; a young girl, locked in an attic for an extended period, the intrigue of her situation – remaining hidden through war time, a romance which was fascinating to my twelve year old self. And then came ‘The End’ – and ‘The Afterword’. The news that Anne and her family had been captured and moved to a concentration camp in 1945. That she and her sister had died, probably from typhus, only months later. The realisation that this was a true story!
I cannot describe the magnitude of the shock I experienced when reading about the outcome of Anne’s life. Had it not been revealed, I would have set the book aside with all of the other ‘happy ever after’ books that I had read as a child. The evils of war may not have struck so deeply. However, this clearly was no ‘happy ever after’ ending and, for me, The Diary of Anna Frank was my introduction to understanding the terrible consequences of racist extremism, and was integral to shaping my own lifelong stance against racist ideology.

Which book had a profound effect on your life?

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I remember, as a five-year-old, walking home from school, past the Camberwell Public Library, navigating the stairs, asking if I could borrow a book and being given a membership application card for my parents to fill in. Furthermore, I remember the very book that I ever borrowed – The Story About Ping – which our teacher had read to us that very week. I was thrilled to have it in my possession. Throughout my primary school years, I sat in class with a book discretely tucked below my desk, only to be rudely interrupted by the teacher – ‘Penny – I hope you are not reading again!’I made my way through Enid Blyton, the Bronte’s, Dickens (probably abridged editions for children) and anything else I could get my hands on. As a twelve-year-old, I was thrilled by ‘Fifteen’ by Beverly Cleary because of its reference to a ‘first kiss’, and read this multiple times.